Jennie: Wife/Child (1967)
Jennie: Wife/Child (1967) is a notable “hicksploitation” film, praised for its surprisingly high-quality cinematography by Oscar-winner Vilmos Zsigmond. Often compared to a Southern Gothic, “Baby Doll” style melodrama, it blends a scandalous plot with artistic, stark black-and-white visuals. The film, sometimes known as Albert Peckinpaw’s Revenge, focuses on a young bride who seduces a farm hand, leading to a tense, paranoid thriller filled with rural intrigue.

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